Everything about Audience totally explained
An
audience is a group of
people who participate in an
experience or encounter a
work of art,
literature,
theatre,
music or
academics in any
medium. Audience members participate in different ways in different kinds of art; some events invite overt audience
participation and others allowing only modest
clapping and
criticism and
reception.
Media audiences are studied by academics in
media audience studies.
Audience theory also offers
scholarly insight into audiences in general.
Audience participation
One of the most well-known examples of popular audience participation is the motion picture
The Rocky Horror Picture Show and its earlier stage incarnation
The Rocky Horror Show. The audience participation elements are often seen as the most important part of the picture, to the extent that the audio options on the DVD version include the option of
callbacks being included in the audio.
Another example is the theatrical adventure called
Tamara, set in post-
World War II Italy. In
Tamara, audience members trailed cast members around many rooms in a
Victorian house, seeing only a portion of the show each time they attended.
Tamara launched a new level of audience participation.
In the musical,
The 25th Annual Putnam County Spelling Bee audience members are invited to be guest spellers onstage during the show.
One of the earliest and most famous examples of audience participation in music was
Queen's "
We Will Rock You" in 1977, when
Freddie Mercury and
Brian May thought it would be an interesting experiment to write songs with audience participation specifically in mind.
Now murder mysteries and interactive comedies like
Tony and Tina's Wedding have extended audience participation even further. Members of the audience are cast as members of the fictional family or as suspects in the mystery. Audience members may engage in conversation with the cast, breaking the
fourth wall entirely. They may be encouraged to dance with members of the cast, or to step into roles of missing performers. One purpose of this twist to such productions is to force the performers to improvise on the spot, which of course is part of the entertainment.
Another murder mystery is "
The Mystery of Edwin Drood", a Broadway musical. In it, the audience must vote for who they think the murderer is, as well as the real identity of the detective and the couple who end up together.
The British
panel game QI often allows the audience to try and answer questions. Currently, the audience have won one show, and have come last in another.
Modern classical music audience
modern and
contemporary music, such as new
tonal and
atonal languages, rhythmic concepts, and other radical musical developments presented in
serialism,
polytonality,
minimalism,
aleatoric music, etc. even though Classical music has been developing in that direction for the past century, which shows how out of touch much of the public has become with the genre. This is partly a result of a decline in public
sponsorship that has been replaced by institutional sponsorship, namely university sponsorship, connecting Classical music with the circles of
higher education and
academia and alienating those who may not have been exposed to such music through formal education.
“Proper concert
etiquette” is another issue that's up for debate. While the current practice is to refrain from clapping between movements, saving applause until the end of an entire piece, many newer audience members who do so anyway because of unfamiliarity with the practice are met with scorn by more experienced audience members. Supporters of the practice consider it disruptive to the concert experience and coherence of a piece to interrupt the silence between movements, while others believe that the rule is too stringent and unnecessarily promotes a haughty, disdainful image of classical music that's unappealing to many potential new audiences. Historically, clapping between movements wasn't considered bad etiquette, and in many cases it was actually expected. This trend, of course, changed over time due to the dislike by musicians such as
Arturo Toscanini and
Igor Stravinsky of the unruly behavior of audiences; they worked at ensuring that audiences treated the concert with more reverence. Some people argue that such expectations for audience behavior is proper and should be upheld out of respect for the music, while others believe creates an impersonal concert atmosphere that distances audiences from the performers and disinterests them.
In order to reach out to a wider audience, many musicians and groups have tried different methods of
outreach, including pre-concert lectures and lecture-concerts, educational outreach programs in schools, audience question-and-answer sessions, casual concert settings, and so on. Some groups have found that discussion of the music helps the audience to follow it better and appreciate it more, while other people believe that too much explanation is unnecessary and excessive and that it's better for the music to stand on its own so that audience members can enjoy it on their own terms.
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